University of Exeter Press, 1998. Hard Cover. Large 8vo. Clean and bright; no owners' marks; except for gentle shelf rubbing at the corners and spine ends of hard cover and dust jacket, excellent, nearly as new. More about The Beginnings of the Cinema In England, 1894-1901: Volume 1: 1894-1896 (FILM HISTORY
Thousand Oaks, California, U.S.A. Sage Pubns, 1996. Soft Cover. Some light shelfwear to corners and foreedge; otherwise as new, unmarked, crisp. More about Mediated Messages and African American Culture: Contemporary Issues
The Hague: Mouton, 1973. Cloth Hardcover. Crisp, bright, clean pages; no owners' marks; binding tight; some rubbing at the corners and spine ends of the hard cover and two tiny, dark spots on the front, otherwise excellent. Jacket is faded at the spine and shows surface rubbing and scuffing across... More about The Language and Technique of the Film
A. Zwemmer Ltd, 1970. Soft Cover. Pages crisp and clean; no owners' marks. Binding square, spine uncreased. Soft cover has a small fold at the lower front corner, rubbing and some chipping around the edges, and a long fold at the upper rear corner, otherwise clean and sound. More about Germany (Screen Series
The Scarecrow Press, 1965. Hard Cover. Clean and bright; no owners' marks; both volumes' bindings are square and tight; the top right front corner of volume II has a tap and wrinkle, and both volumes are modestly softened at the spine ends and rubbed at spine ends and corners with... More about A Title Guide to the Talkies: A comprehensive listing of 16,000 feature-length films from...
Rutgers University Press, 2007. Paperback. Clean and bright; no owners' marks; there is a short, shallow wrinkle at the bottom front edge of the soft cover, otherwise as new. More about Armed Forces: Masculinity and Sexuality in the American War Film
Paris, France: CNRS Éditions, 2001. Paperback. Language: French. Crisp and clean except for a gift note at the half-title page; spine square and uncreased; soft cover shows only a tiny tap and wrinkle at the bottom left front corner and very light shelf-rubbing at corners and spine ends, otherwise excellent... More about Hitchcock et l'aventure de Vertigo: L'invention á Hollywood
State University of New York Press, 1999. Soft Cover. Clean, bright pages; square binding. A tap at the spine head caused a small wrinkle at the upper right rear corner; soft cover also shows just a little rubbing at the corners, otherwise excellent. More about Captive Bodies : Postcolonial Subjectivity in Cinema
Chicago: Fox Photoplate Institute, 1922. Hard Cover. Pages crisp and clean except for gentle toning in the margins; no owners' marks; binding square and tight; full cloth cover shows some surface rubbing along the spine sides and around corners and spine ends, dimming of the gilt titles, and tiny scuffs... More about The Standard Photoplay Plot Chart
Wiley-Blackwell, 2008. Paperback. Large 8vo. Clean and bright; no owners' marks; corners of soft cover curl outward and are just starting to show some shelfwear, otherwise excellent. More about Auteurs and Authorship: A Film Reader
New York: Hyperion, 1999. Hard Cover. Folio. Signed, dated, and inscribed to named individuals by the author at the first page following the front free endpaper. Clean and bright; binding tight; hard cover has a small tap and wrinkle at the top right front corner, one tap at the front... More about The Tarzan Chronicles
Palgrave Macmillan, 2013. Hardcover. Clean and bright; no owners' marks; some wrinkling at the spine heel and tiny spots of rubbing at the corners of the hard cover, otherwise excellent. More about East German Cinema: DEFA and Film History
Hong Kong University Press, 2006. Paperback. Clean and bright; no owners' marks; except for very gentle shelfwear at the spine ends of the soft cover, as new. More about Stanley Kwan's 'Center Stage' (The New Hong Kong Cinema
University of California Press, 1998. Paperback. Crisp, clean pages; no owners' marks; square, uncreased spine; soft cover is faded over the spine and mildly shelfworn at the spine ends and around the bottom edges and corners, otherwise clean and well-kept. More about The Memory of Tiresias: Intertextuality and Film
U.S.A. Meridiens Klincksieck, 1998. Paperback. Language: French. Signed and inscribed by the author, to a named individual, at the title page. Crisp, bright, and clean; except for mild shelf rubbing around edges and spine ends of the soft cover, excellent. 184pp. w/ index. More about Le temps d'un regard: Du spectateur aux images (Collection "Du cinema"
Nathan Université, 2002. Paperback. Language: French. Crisp, bright, and clean except for a gift note, possibly from the author, at the title page; except for that and gentle shelf rubbing at the corners, excellent condition. More about L'analyse de séquences
Bilingual Press, 1994. Soft Cover. The pages of this copy are crisp, bright, and clean, with no ownership marks; the binding is square and tight, the spine uncreased. The soft cover shows a little rubbing around the corners but is otherwise clean and excellent. More about Hispanics and United States Film: An Overview and Handbook
Studia Fennica, 2004. Paperback. Crisp, bright, clean pages; square, uncreased spine; soft cover has small wrinkles at the bottom right front and top left rear corners and some mild shelf rubbing at spine ends, corners, and bottom edges, otherwise excellent. More about Performative Histories, Foundational Fictions: Gender and Sexuality in Niskavuori Films
State University of New York Press, 1998. First Edition. Trade Paperback. Aside from some very faint rubbing at the middle of the front bottom edge and a faint, almost invisible crease in the lower front right free corner, copy is clean, bright and excellent. More about The Folklore of Consensus : Theatricality in the Italian Cinema 1930-1943
McFarland & Co Inc Pub, 2002. Soft Cover. Crisp, bright, and clean; no owners' marks; except for very light rubbing at the corners of the soft cover, excellent, nearly as new. More about The Independent Film Experience : Interviews With Directors and Producers
C. J. Bucher, 1985. First Edition. Soft Cover. Language: German. Some modest rubbing at the corners and a short line of laminate curling at the top right front, otherwise clean, bright, and excellent. More about Kino-Express : Die Eisenbahn in der Welt des Films
Berne: Peter Lang, 1991. Paperback. Crisp, bright, clean pages; no owners' marks; spine square and uncreased; soft cover has a modest bump at the spine head, three thumbnail creases at the top front, a short line of laminate peeling at the bottom front, and mild rubbing around edges, corners, and... More about Meaning in Film: Relevant Structures in Soundtrack and Narrative
State University of New York Press, 1998. Soft Cover. Clean, crisp, bright; no ownership marks or wear; as new. More about Triangulated Visions : Women in Recent German Cinema
Wexner Center for the Arts, Ohio State University, 1991. Paperback. 4to. Pages bright and clean except for a spot of adhesive residue on the first page and tiny curls at the free corners throughout; binding square and secure; soft cover has pale cup rings and drip spotting on the front... More about ROAR: The Paper Tiger Television Guide to Media Activism ("Rarely Organized Always Radical"
Hyperion, 1996. Hard Cover. Folio. Signed, dated, and inscribed to two named individuals by the author at the bottom of the illustration following the front free endpaper. Crisp, bright, and clean; except for the barest hint of shelf rubbing at the spine heel of hard cover and dust jacket, as... More about The Art of The Hunchback of Notre Dame
