World of Art, 1987. Hard Cover. Crisp, bright, and clean except for a prior owner's note at the front free endpaper; binding square and tight, hard cover faintly spotted at the head edges but otherwise excellent. Jacket shows gentle toning at the edges and light rubbing at the corners but..... More
Art Gallery Board of South Australia, 1996. Soft Cover. 4to. Clean and bright; no owners' marks; spine square and uncreased; the soft cover has some rubbing along the top and bottom edges, a short scratch on the upper spine, and a light crease along the right rear edge, otherwise excellent..... More
Graphis / Watson-Guptill, 2004. Hard Cover. 4to. Clean, crisp and bright; no owners' marks; binding is square and tight; the dustjacket shows some small wrinkles at the spine ends and a very small tear and chip at the bottom front left, otherwise excellent. Jacket is now protected in a clear..... More
Cambridge University Press, 2006. Hardcover. Crisp, clean pages except for a prior owner's name on the front free endpaper; binding square and tight, hard cover modestly rubbed at corners and spine ends, otherwise excellent. Jacket shows shallow crimping at spine ends and short creases across the top free corners and..... More
University Art Museum, Berkeley, 1970. Soft Cover. Signed by Pol Bury at the half-title page with no date or inscription. Pages clean and bright; spine square, binding tight; soft cover has a few pale spots of surface rubbing on the front, a pair of scratches at the lower rear, and..... More
The Arts Club of Chicago, 2012. Soft Cover. Crisp, bright, and clean; no owners' marks; except for a little light shelf rubbing at the spine ends, excellent, nearly as new. More
Omaha, NE: Gallery 72, 2002. Paperback. Long 4to. Clean and crisp; binding is tight; slight curls beginning at the lower free corners of the soft cover, otherwise as new. More
Lars Muller Publishers, 2001. Photographs by André Morin. Hard Cover. Large 4to. Languages: French and English dual text in two columns per page. Clean and bright; no owners' marks; hard cover is gently softened and rubbed at the spine ends; the dust jacket (made half-height) has a closed tear at..... More
Greenville, South Carolina: Greenville County Museum of Art, 1972. Cloth. Signed and inscribed by artist William M. Halsey, to a named individual, at the front free endpaper. There is a small, light adhesive stain at the top of the first page (a photo of artist); pages otherwise clean, binding square..... More
Minneapolis: The Minneapolis Institute of Arts, 1998. Morrison, George (paintings). Paperback. Crisp, clean pages except for a touch of foxing on the head edges and several vertical creases to the penultimate leaf; square, uncreased spine; soft cover has a short scratch and several small nicks at the lower left rear..... More
University of California Press, 2009. Paperback. 4to. Clean, with no owners' marks; modest shelfwear at the spine ends and several long, shallow scratches at the right rear of the soft cover, otherwise excellent. More
Indiana University Press, 1987. Hardcover. Clean, bright pages; full cloth cover shows only mild softening at spine ends; dust jacket bears some surface dulling, a little shallow crimping at spine ends, and a touch of shelfwear at corners, otherwise excellent. More
Tasende Gallery, 1990. Soft Cover. Long 4to. Clean, crisp and bright except for one thin, pale ink line on the front and a small wrinkle at the spine head; otherwise excellent. [48]pp; full color throughout. More
Tasende Gallery, 1990. Soft Cover. No owners' marks; pages are clean, crisp and bright; binding is square and tight; there are noticeable shelf-smudges on the soft cover's rear surface, and there is some modest rubbing around the cover's free corners and spine ends, otherwise excellent. Unpaginated; full color throughout. More
Contemporanea Progetti, 2007. Hardcover. Crisp, bright, clean pages; square, tight binding; hard cover is somewhat softened at the spine head and gently rubbed at the heel; jacket has a few very small wrinkles at the head edges, particularly the spine head, and almost unnoticeable rubbing at spine heel and free..... More
Princeton University Press, 2008. Hardcover. Large 8vo. Crisp, bright, clean pages; no owners' marks; square, tight binding; hard cover shows an inward turn at the top left rear corner and short surface wrinkles there and at the spine ends as well as mild shelf rubbing at spine heel and corners..... More
University of Washington Press, 1999. First Edition. Hard Cover. Pages crisp and clean; no owners' marks; binding square and tight, hard cover only gently rubbed at spine heel and corners, otherwise excellent. Jacket shows a little wear and chipping at the corners but is otherwise clean and attractive. More
Paphos: Holy See of Paphos, 1987. Malekos, Andreas (photos). Staple-bound Softcover. Clean and bright; no owners' marks; one short, thin pressure mark at the lower rear, some gentle finish wear front and back, and a bit of shelf rubbing at corners and spine ends, otherwise excellent. [29]pp.; color illustrations. More
Yale University Press, 1974. Soft Cover. No owners' marks; pages are crisp and clean except for foxing on the top and bottom page block edges; binding is tight, spine uncreased; the soft cover is spotted and foxed on the back, and the edges and spine ends show modest shelf rubbing..... More
Barcelona: Galeria Senda, 1998. First Edition. Soft Cover. Language: Catalan. This copy is clean, crisp, and bright; except for a faint fold at the lower rear corner of the soft cover, as new. Full color reproductions of art exhibited in October 1998. More
Edition Stemmle, 1995. Paperback. 4to. Clean, bright pages with no owners' marks; soft cover bears only mild shelfwear at corners and spine ends with a short, very light fold at the bottom right front corner; otherwise excellent. More
New York: Whitney Museum of American Art, 2006. Pettibon, Raymond. Hard Cover. Pages crisp and clean except for a short pen mark on the foreedge of the page block; binding square and secure; hard cover shows light taps and tiny wrinkles at the top free corners, a spot of laminate..... More
Abrams, 2010. Hardcover. Crisp, clean pages; no owners' marks; square, secure binding; hard cover shows little taps and wrinkles at the free corners and a few thin, light scratches front and back, otherwise excellent. No dustjacket. More
San Francisco Museum of Art, 1991. Paperback. 4to. Clean and bright; except for tiny surface chips at the top left rear corner of the soft cover and along the spine sides, excellent. 151pp.; color. More
Germany: Klett-Cotta, 1988. Hardcover. Crisp and clean except for a prior owner's ink stamp and date on the title page and a few small spots of surface wear along the spine of the dust jacket, affecting the book title but not its legibility; bottom corners of hard cover and jacket..... More
